Interview with Christopher Nolan

Reviews on:

Batman Begins

Memento

Dark Knight

Prestige

Inception

Following

Insomnia

Round Table: Genre Pathiology in Iranian Cinema

Present and absent genres in Iranian Cinema

A Genre that conquered silver screens

Iranian melodrama and Mehrjuee’s Cinema

Ali Hatami: Mindful of “Pari”

We owe love to you!

Victim

Foot thumb

Art

Five poems by Shams Langeroudi

Poems by Hafez Mousavi

Poems by Maryam Fathi

Texts awaiting to be opened/Why no need for critics?

Stress in criticizing

“Confessions of a Book Reviewer” by George Orwell

Review on “Shazdeh Ehtejab”

Interview with Goli Taraghi

Where are the clues?

Knowledge in theories and innovative recognition

Pure or impure

The issue is elsewhere

Literature market/ Cashes and loans

Concerns of a middle-aged critic

A bird in hand is worth two in the bush?

An interview to Sirous Shamisa about literal critic

Iranian critics whole existance

Story review/ Strategy and tactics

Power of poetry/ Platon and literal critic

Round table on status of Iranian contemporary literature

Swimming in the cold winter

Elephant in the dark/ A note on critics

No critics possible without free and independent press

An old poetry in absence of critics/ A brief report on criticizing Iranian

contemporary poetry

Poets, writers and critics talk about Iranian literal theories and critics

Writer and Reviewer/ The fate- believer king and his master

Among internotes/ Motherland of poems

Human ethical crisis drama

The poet who became a bishop

Of universe and history

A great village named LA with no poets

Nobel prize/ Home prize this time

Role of a novel in deteriorating an empire

History: Reoccurance or difference; change via reoccurance

A brief ideology history

Ulysses: Hero of imperialism

The comic reoccurance of history: Marx and psychoanalysis

History and bad- common players

Books in the past season

A critic on “Blue Songs” Poems by Zia Movahed

Vaqaie Ettefaqieh