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30th ISSUE/ 8th Year/ Autumn 2011
    Collaborators on this issue
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World Cinema:
  • The filmmakers of the global village
  • Interview with Haneke
  • Michael Haneke and the new subjectivism
  • About
  • The white Ribbon
  • Hidden
  • The Piano teacher
  • Code: Unknown
  • Between Adorno & Lyotard
  • Tom Tykwer
Iranian Cinema
  • Language is not a Part from the Character
  • Dialogue in the Cinema of
  • Beizaee
  • Mehrjooee
  • Kiarostami
  • Farhadi
  • Wise master and the cinema of slogans
  • An Smile trembled on her lips
  • A glance at writing dialogue in the screenplay
Stories and poems
  • Music recorder Machine
  • In honeymoon
  • Axolotl
  • The unknown man
  • Roze Girl
  • Two Poems from A.R. Ahmadi
  • Two Poems from A. Safar
  • Two Poems from S.R. Alavi
Critics
  • The single voice symphony
  • The Recording Machine
  • Say well and not only say
  • Conversation with Baharloo
  • Interview with Goli Taraghi
  • The Novel of dialogue
  • Same silent Episod
  • Dialogue in story
  • bakhtin & Dialogue
  • Writing dialogue in Complete moon
  • Multiplying the voice
  • Dialogue that make Character Speak
  • Passing dictatorship
  • Inner Voice of Characters Beyond Self
  • At the end of deadend ally
  • The literature of echology
  • Conversation in story writing
  • The conversational order of language
  • Was, because it is not
  • Interview with Sepanloo
  • The call of the Blind
  • Novel is a multi voice study
  • Action or pasivness
  • We 1319s
  • About dialogue
Theoretical Issues
  • Loving Poem
  • Free Love
  • About Love
  • Romantic Love
  • Love and Art
  • Interview with Bedieu
  • Love and gender difference
  • Love in the middle of Guarantee
Book Critics
  • We and summer Literature
News and Events
  • Vaqaie Ettefaqieh
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